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When Johaness Gutenberg introduced his printing press in the mid-15th century, he sparked a revolution in the way the masses could spread and consume information. For centuries after, the primary way we shared content was through print media, like books and magazines.
But when Tim Berners-Lee invented the World Wide Web in 1989, that all began to change. With his invention, we now had a faster, cheaper, and more easily accessible way to share ideas, and the economy took note.
Major media companies like Conde Nast, which published nearly two dozen magazines at its peak in the late ‘90s and early ‘00s, began to shift their strategies from physical media to digital. And as the internet grew and developed, many longstanding publications stopped publishing their physical products altogether. The 2010s saw the shuttering of dozens of titles like Marie Claire, House and Garden, Health, InStyle, Eating Well, and High Times.
Now, fifteen years later, the tides of preferred media format seem to be changing yet again. In late 2024, Complex announced that it would be returning to print with a quarterly magazine. Spin is also back, as are Field & Stream, Nylon, Vice, Saveur, and i-D. Dozens of smaller, more niche publications have also sprung up over the last few years, appealing to audiences who are into everything from fashion to arts & crafts, homemaking, tech, and food.
For a lot of us, this resurgence of print media is surprising. The internet’s ubiquity and its rapid spread of news and information have driven the final nail into the coffin of physical media.
After all, where is the appeal in an expensive, physical product that contains information that is either weeks out of date or easily available on the web for free?
It turns out, opportunities for print media still exist as do audiences. These things, assisted by changing attitudes around the internet and social media, and an increased nostalgic longing, are creating the perfect environment for physical media’s comeback.
The Allure of Tangibility
Recent data shows that the average American has a screen time of somewhere between 7 and 8 hours per day. This includes time spent watching movies and TV, reading on e-readers, scrolling on social media, or just surfing the internet, but does not include the hours many people spend working on screens each day.
This level of excessive screen time and constant connectivity has led to a form of mental and emotional exhaustion, which experts are calling digital fatigue. Digital fatigue has a host of consequences, including increased anxiety, a smaller attention span, and decreased motivation, that negatively impact our lives.
Because many of us are unable to step away from screens at work, we find ourselves re-evaluating our free time, looking for ways to disconnect and unwind. Print media meets that need pretty perfectly. Magazines, zines, and physical books allow us a more mindful and immersive way to engage with topics we’re interested in and communities we care about.
In this digital age, there’s just something alluring about a tangible product. It feeds that need for a slower pace of life, and satisfies that nostalgic longing many of us have for our childhoods or early adulthoods when things felt unhurried and less demanding. This current resurgence of digital media indicates how widespread that digital fatigue has become and how deeply many of us are craving a gentler pace of life.
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A Counterpoint to Echo Chambers
Similarly, the resurgence of print media points to how anxious we’ve become about the existence of the internet and its impact on truth and perception.
For years, experts have been raising the alarm on the way the internet affects our mental and emotional well-being. Particularly, the rise of social media platforms, which are ripe for the spread of misinformation, has been a major source of consternation. Over the last decade, we’ve seen this happen firsthand as fake news, wild conspiracy theories, and groupthink have spread like wildfire on platforms like X, Facebook, and TikTok.
Thanks to its reliance on algorithms and SEO, the internet can become an echo chamber if we aren’t intentionally seeking out other viewpoints. Print media provides somewhat of a counterpoint to this, in that physical magazines are more likely to represent a broader range of voices and perspectives. While that range can certainly still be small, there is going to be some level of nuance in the ideas and opinions presented.
Print media also reduces the pressure on audiences to conform, negating groupthink. Comment sections on TikTok, Facebook, and Instagram have become a breeding ground for groupthink, oftentimes including sentiments like “I didn’t know what to think, so I came to the comments.” While a joke in context, these kinds of comments point to a larger issue: other users constantly influence our opinions and feelings. And it’s slowly affecting our ability to think critically and draw conclusions on our own.
Though magazines certainly have their niches, the content within stays put: providing a range of voices and perspectives not impacted by algorithms. Print media puts control back into the users’ hands: we’re outside of the echo chamber and free from the data-tracking that puts us there. The unhurried experience of reading an article allows for time to think critically about what’s being presented, and with no option to have an immediate reaction (through a like button, repost, or comment), there is space for those individual opinions to gestate.
The rise in demand for physical magazines and books seems to indicate a deeper cultural desire not to have to immediately form a thought or opinion on everything that happens, but to hear a variety of perspectives before forming an individual opinion.
So, is this physical media movement here to stay? The answer is an unsatisfying maybe.
Bloomberg reports that advertisers love print because it “exists outside the blast zone of screenshot hate-read virality, and consumer surveys consistently find that print ads are regarded as more trustworthy and effective than their digital counterparts.” And media companies like Conde Nast and BDG love that advertisers love print because increased ad sales boost their bottom lines.
Consumers, as we’ve discussed, are also loving physical media right now for the way it relieves their digital fatigue and offers a slower way of consuming and considering information. Physical media, like print magazines, provides a fairly inexpensive way to romanticize our lives and consume content without hitting annoying paywalls or obviously ill-produced work.
But at the end of the day, physical media is still a luxury good, and with the economy slowing down and budgets tightening up, it’s really anyone’s guess as to whether or not these nonessentials will make the cut for consumers or not.
Madison Troyer is a Brooklyn-based freelancer with 10 years of experience covering pop culture, entertainment, lifestyle, and wellness content. Her work has appeared in outlets like The Chicago Tribune, Newsweek, and a host of other places. When she's not at her desk, you can find her training for her next marathon or reading.
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